Despite my having heard multiple tales of disappointment
beside expectation concerning India’s greatest wonder, I went to the Taj Mahal
with eagerness. Eagerness and a serious
sleep deficit. My train arrived three
hours late in the night, my rickshaw driver lied about know where my hotel was
(an annoyingly common occurrence, which somehow ends with them wanting more money), and I was determined to
beat the crowds and see the palace kissed pink by the sunrise, so a brisk nap
in an empty dormitory and I was on the go again.
I’m a sucker for iconography and I’m glad to say it was a
wonderful visit. The Taj really is a masterpiece, in both its immensity and
minute details – enhanced, perhaps, by the dreamy languor of sleeplessness.
It turned out there were quite a mass of people there also
hoping to beat the masses of people, but somehow most weren’t very ambitious
when the gates were open and I was able to capture my favorite angles
unchallenged. I prayed that the scene
wouldn’t be too choked with pollution, as can happen here, and frustratingly
there was quite a bit hanging thick on the horizon. Some of it got gobbled up by the sun as the
morning went on, so I’m left to choose whether I prefer the pinks and greys of the
smoggy dawn or the clarity of white and blue in the time after.
Not properly aware of the story behind the Taj Mahal, I was
delighted to find that it’s actually quite good – even if it can be difficult
to tease away the threads of lore from the webs of history. Mumtaz Mahal, the favorite wife of emperor
Shah Jahan, lost her life giving birth to Jahan’s 14th child. The story goes Shah Jahan was so stricken his
hair went grey overnight. He built the
Taj as a tribute to Mumtaz and as a mausoleum for her remains, and his as well
when the time came. Royal greed can be
cruel, however, and the emperor was stripped of his kingdom and his freedom,
overthrown by his son. He was locked
away in the nearby Agra Fort, still with a view of the Taj Mahal perched above
the Yamuna river, and not until his death would he be permitted to return to
his creation and his beloved. They
remain buried together underneath the Taj, inaccessible to the public.
My stay in India was now more than halfway over. Determined to experience the variations
between north and south India, I arranged for my last flight to be out of
Bangaluru, and it was time to start booking it south. I had briefly toyed with the idea of flying
to Mumbai to save time, but realized I had more time than Rupees – though
really, both are in short supply. I
found a good halfway point between Agra & Mumbai and booked two long
overnight bus trips, stopping in Indore.
This time with sleeper seats, praise the maker.
Over the 13 hours of my first bus trip, I had hoped to edit
some photos, plan my time in Mumbai, journal a bit, and get some overdue
sleeping in. My sleeper bunk was at the
back of the bus and on the top bunk: perfectly secluded, I naively
thought. Naïve, because the laws of
physics dictate that being at the top bunk at the back of the bus is only going
to intensify the severity of every swerve, brake, and bump along the way. Very quickly the notion of bus bound
productivity went up in a puff of carbon monoxide, so I consoled myself with an
audiobook I cleverly brought along on my iPod.
I listened to Shantaram, a
novel about an Australian convict’s misadventures in Bombay, and the author’s
initial reactions to the sights and sounds of Indian metropolis were so close
to my own, I couldn’t help but smile at his grim descriptions of poverty and
chaos.
Sleep deprivation was accumulating heavily on my eyelids and
I unwrapped a shawl I purchased in Pushkar to double as a blanket. My little cabin rattled side to side like an
old boardwalk rollercoaster car, and after the third time a bump in the road
threw me so bodily into the air that no part of me was touching my cushion , I
realized my hope of sleeping was an optimistic notion as well.
Sleepy, but not sleeping, the minstrel cast of my
unconscious mind had no set to perform in, so instead they had their show on
the moving bus. As it is with dreams, I
can’t specifically recall the contents, but I know I was enjoying champagne
toasts and mediating arguments with people I knew and many wholly
fabricated. And I never once had to
leave my bunk.
The sun rose and I tried to enjoy the backlit early morning
scenes of plains, farms, and village life – despite the dry wretching of the occupant
below me trying to vomit out the window.
Regardless of my not sleeping there’s something rejuvenating about just
trying, and I tried to see what I can do in this city I knew nothing about.
Now Indore isn’t really on the tourist circuit, which
initially intrigued me, but I quickly learned that meant Indore was abound with
everything I’ve become weary from by Indian cities, with none of the charming
compensations. Its chief attraction, a
meager and unremarkable colonial period palace, wouldn’t even admit me for
their lack of change so I took to napping and conversing with locals in their
exotic English garden.
After some mindless wandering, I came upon a mall and
realized I had yet to see a Hindi film in India, and if I saw one in Indore, I
wouldn’t have to waste that time in a more interesting city.
I had a dull Punjabi Thali (Thalis are usually awesome,
offering a plate full of variety and usually centered on the offerings of a
specific state) and found a seat in Son
of Sardar, an action film with a protagonist I was told I looked like when
I wore a turban in Amritsar. Despite
being billed as an action film and starting off with Son of Sardar’s kicking
all kinds of ass in a London biker bar (London biker bar?), the rest of the
film had its bare knuckled brawling hero frolicking among meadows, engaging in some
almost high school level flirting, and defying physics in Looney Tunes style hijinks.
It was a moment of respite in a long and boring day, and I
was left dreading my new reliance on busses (trains now are cripplingly
overbooked, and at this point I don’t really have an itinerary after Mumbai)
and crossing my fingers that somehow Mumbai wasn’t like New Delhi, Agra, and
Indore. I’m not sure where I’m going
after that, but I suspect it involves palm trees and coconuts. No more of this big city nonsense.
5 comments:
Praise the maker? My son is finding religion in India!
Praise the maker? My son is finding religion in India!
...or quoting Star Wars.
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